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Though Elizabeth Hay did live through the Great Ice Storm of 1998, she reimagines it in Garbo Laughs in order to provide a "heightened reality" in the novel by the natural world impinging on the lives of the characters, who are very much absorbed in movies.
She said:
"I did live through the ice storm, the Great Ice Storm of 1998, I lived through that. And I wanted to work it into Garbo Laughs, because the characters in Garbo Laughs walk the streets of Old Ottawa South, except when they are watching movies…and they mostly are watching movies.
"And no reality really compares to the glory of what they see on screen until certain heightened realities enter, and one of those heightened realities is the Great Ice Storm of 1998.
"And so they are locked inside, they can’t get out because of the ice storm. That didn’t actually happen to me, but I made it happen to me when I wrote about it.
"And the other reality that comes in upon them and that shatters the movie world they are living in is illness and eventual death. So, that is the plot, you know, that, in fact, life cannot compete with movies, but death can."
**The Great Ice Storm of 1998, also known as The North American ice storm of 1998, was a combination of five smaller successive ice storms. It caused massive damage to trees and electrical infrastructure, resulting in widespread and long-term power outages. These series of storms had a large impact on cities, such as Montreal and Ottawa, and required major aid from the Canadian Forces under the name of "Operation Recuperation".**
When we asked Elizabeth Hay how she felt about being part of Project Bookmark Canada, this is what she told us:
"I am just utterly thrilled and deeply gratified to be one of the authors whose work is part of this national network of bookmarks. And that is because I respond not just as a writer, but as a reader.
"And so, as a reader, a place comes alive for me when I encounter it in a book. And then, to have a bookmark make that visible and permanent is such a brilliant idea. What it does is it takes the city that has been written about and imagined and connects it with the real city that generated the imagined scene.
"And so, you get both the book and you get the city. And together they seem more real because of this lovely bookmark that appears out of nowhere."
"I think I write short stories when I have something very troubling on my mind, something that is very personal and troubling.
"My short stories tend to be first person. Novels rely more on the third person on a longer span of time on the unfolding of people’s lives over the course of time and in more than one place.
"So, a novel gives you a lot of room, it gives you something to inhabit for a few years because it takes a few years for me to write it. And since I don’t tend to write short stories when I’m working on a novel, it seems that I am not writing many short stories. And I keep thinking that I just have to take a break between novels and attend to the short stories that I had in my mind."
In talking to Sean Wilson, the Ottawa International Writer's Festival's Artistic Director, he told us about the development of the festival.
"At the very beginning, we focused the international components on single countries. So, the first five years we did the best of Canadian writing and then and focused on one specific country. And then it became a bit limiting.
"We were the first festival to include all the genres. We had music, writing, non-fiction, poetry, fiction, film writing and television writing. And we tried to keep that eclectic feel going.
"So we celebrate just about everything."
In an interview with Sean Wilson, Artistic Director of the Ottawa International Writer's Festival, he told us the benefits of having two editions of the festival.
"We realized that the festival was getting too long. There were too many writers. And so, as organizers, we had writers coming and going that we never even met. You know, it was just that busy with things.
"And we realized, well, there are two publishing seasons, so why not do two festivals. And it has worked beautifully. What we found is that most patrons had a book budget for buying the books, and now it has just, sort of, doubled. So we sell lots of books.
"Also, it keeps us flexible in terms of the program. We are able to jump on things that are happening right at the moment and say, “What is exciting right now?” and not be trying to think what is going to be exciting a year from now.
"So it's wonderful, as we wrap up the fall edition, I am only going to start thinking about the spring now. I am not going to worry about next fall. I don’t have to start thinking about a year later. So I think one of the great things that it does is it allows us to be much more relevant and make sure that...especially with the non-fiction...what we are talking about is what our community is interested in.
"It also gives us a chance...in the spring, people like poetry, and in the fall, they like fiction. So we can go a little heavier on fiction in the spring and heavier on poetry in the fall, and just get a nice balance."
Kate Jaimet, author of two novels, Dunces Anonymous and Slam Dunk, and journalist for the Ottawa Citizen, was a host at the Closing Celebation featuring tales of Old Ottawa South on October 26th, 2010, at the Mayfair Theatre for the Ottawa International Writers Festival.
In this piece of audio, she reminisces about growing up in Old Ottawa South and the area just north of it called The Glebe before introducing the five authors who have written about the area, including Phil Jenkins, Elizabeth Hay, Brian Doyle, Charles de Lint and and Tim Wynne-Jones.
Elizabeth Hay reads an excerpt from her novel, Garbo Laughs, at the Closing Celebration of the Ottawa International Writers Festival, which is set in Old Ottawa South.
Although the pictures in the scrapbook take you to this charming and 'old' area of Ottawa south of the Rideau Canal, listening to Elizabeth Hay's reimagining of the area really transports you to the area in a different time.
An author and performing songwriter, Phil Jenkins has written for a number of magazines, including National Geographic Traveller, Equinox, and Heritage Canada, and was a feature writer for Ottawa Magazine for five years. His first book, Fields of Vision: A Journey to Canada’s Family Farms, a national bestseller, was published in 1991. His second, An Acre of Time, published in 1996, won the Canadian Author’s Association Lela Common Award for History, jointly won the Ottawa Citizen Non-Fiction Award, and was made into a play nominated for a Governor General’s award. His third book, River Song: Sailing the History of the St. Lawrence River was published in 2001. From 1991 to 1996, Jenkins was the book columnist for the Ottawa Citizen, and he currently writes on interesting city rooms for the newspaper. He has also recently released a CD, CarTunes, with the band Riverbend. He lives in Chelsea, Quebec.
In this audio clip, entitled, "Southern Belle", Phil talks about his regular walks along Bank Street in Old Ottawa South.
Biography from McClelland & Stewart
Brian Doyle is the author of many middle-grade and young-adult novels. He was also at the Closing Ceremonies for the Ottawa International Writer's Festival at the Mayfair Theatre. Doyle was born in Ottawa, and many of his stories are drawn from growing up in the Ottawa area. For example, Angel Square and Easy Avenue are set in Ottawa in the 1904s and '50s, Uncle Ronald and Covered Bridge are based on Doyle's childhood memories of the Ottawa Valley, and Spud Sweetgrass represents Ottawa in the early 1990s.
Get a taste of Doyle's tongue-in-cheek humour by listening to this passage, which evokes the Old Ottawa South area.
Author Elizabeth Hay reads an excerpt from her novel Garbo Laughs at the Ottawa Bookmark unveiling.
We spoke with Elizabeth Hay up in the projection booth of the Mayfair Theatre. Here she discusses her love of old movies.
Elizabeth Hay discusses her use of detail in character and plot development.
We spoke with Ottawa Writers Festival Artistic Director Sean Wilson at the Mayfair Theatre following the festival's closing night event. Here he talks about the founding of the Ottawa Writers Festival.
Ottawa Writers Festival Artistic Director Sean Wilson talks about why Ottawa is a great place to hold a writers festival.